Fiberglass repair guide ready for review.

MikeSchinlaub

Petty Officer 1st Class
Joined
Jan 14, 2025
Messages
236
Fiberglass Repair Walkthrough ( Mods, since this is so large, I'm going to try to post roughly half of this as a reply. I don't know how well it will work, so please wait until I'm done before commenting.)

Introduction
I've been repairing boats for almost 12 years at this point. I've only ever done this at work, so I only have experience with the materials we use. This is a guide on how to fix damage in fiberglass, using pictures of a small area I'm currently working on.
Hope this helps.

1. Safety
Don't skip on the PPE. Gel coat is plastic, fiberglass is literally glass strands suspended in hardened resin, which is just more plastic. When you grind, you're turning all of that into fine dust and throwing it into the air. You don't want any of this in your lungs, eyes, or skin if you can help it. You may also be exposed to toxic fumes from the resin and gel curing, and other hazardous chemicals. You will need disposable gloves, safety glasses, and dust masks at a minimum. If you will be doing a lot of glassing or gel coating in a confined area, you will also need a respirator with organic vapor filters. When I grind, even small areas, I like to use a Tyvek suit with hood, full face respirator, and latex gloves with the wrists taped to the suit sleeves. I've had enough of that stuff in my eyes and skin over the years.

2. Tools
It should be mentioned that air tools will be impractical for most people, unless you have a large capacity air compressor with high CFM. Air tools use a LOT of air. I have them because I work in a body shop, there will be either electric or hand tool alternatives for anything here.

Grinders. Below are some examples of grinders. These are die grinders, with various attachments. You might be familiar with 3M's Roloc discs, which is the purple one. These work well, but I prefer the metal grinding discs. They last far longer, and the grit wraps around the edge onto the back side just a little. This has come in handy loads of times. They don't work well on wood though. The bits in the pouch and in the straight grinder are called Carbide Bits. These are sometimes useful in tight spaces and corners, but likely won't be needed for most DIY repairs.


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You could also use an electric grinder with heavy grit sanding discs, but these will be too large for many small jobs, and lack the finer control of the die grinders.

Fiberglass Tools. Brush, roller, scissors, and gloves. Get the cheapest brush you can find. Once you use it for resin, it shouldn't be used for anything else, and the resin might set up in the brush if you don't clean it out fast enough. There's no point in getting a high quality brush. There are also a few kinds of rollers. The one shown is all I've ever used. There are ones made for corners, they look like tiny blunt pizza cutters, but I've never needed or used one. Really, if the corner is that sharp, the glass will likely lift out anyway.

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3. Materials

This is where my experience is a bit limited. There are so many kind of fiberglass, resin, and gel coats, and we just don't use most of them. That being said, what we use works and there are no compatibility issues with anything.

The fiberglass we use is 1.5oz Chopped Strand Mat (CSM)

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Fiberglass Cloth, also known as Woven Roving (continuous strands woven together at 90 degrees)
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and Byply (Roving with a layer of CSM stitched to one side).
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For pretty much any exterior fix, you will only need CSM. Roving and byply should be kept to interior structural repairs, such as stringer and transoms. This is because what makes the cloth strong is having long unbroken strands. So if you use it for small repairs, or sand through it during bodywork, you shorten the strands and defeat the purpose of using it.

We only use polyester resin. From reading stuff here, I think it's finishing resin because the surface isn't tacky when cured. The barrels we get don't specify though, it just says polyester resin. Polyester is what the factory uses, so there are no compatibility issues. Epoxy resin can't be used with CSM because the epoxy doesn't dissolve the adhesive used to bind the fiberglass together.

The polyester uses MEKP Hardener. Be very careful with this, as it will cause chemical burns if it gets on your skin or eyes. If you get any on you, wash it off immediatly with soap and water, or rinse your eyes out with water for 15 minutes (that's what the caution on the container says). Once mixed into the resin, it isn't as bad. I've gotten planty of resin on my arms as I'm working and never had any burns. Of course, I still recomend wiping it off as soons as possible with acetone (water won't take resin off). You might start feeling a burn through your gloves if you're working for a long time, but the gloves will protect you.If you happen to get this by the gallon, take a look at the cap. There is a small hole in the cap, with a plastic seal set into the cap, which also has a hole in it. The holes are offset. I think it's to prevent pressure build up. Be careful not to lose the seal, always tilt away from you when picking up the bottle, and wear gloves and glasses whenever you're doing anything with it.

You might need a thickener to make resin putty. We use Aerosil, which is a fumed silica powder.

You will need acetone for clean up, plastic deli cups for resin, and stir sticks. I would also suggest an empty gallon paint can to keep your brush and roller in.

You will need materials to mask you work area. Masking tape and paper or plastic. I wouldn't use newspaper, it's too thin and will likely soak through with resin and stick to whatever surface it touches. I mask the surface of my table, so I recommend avoiding anything with wax or any other coating, just to be sure it doesn't contaminate the resin. Thin plastic would also stick to the glass and lift up with it, so use masking paper or thicker plastic. I use automotive masking paper, and it has never soaked through and stuck unless there was a cut or tear.

4. Grinding
Now we get to the actual work. You will need to grind out any damage. Damage to the glass can extend well past the damage visible to the gel coat. It can also be the opposite, with cracks in the gel extending farther than damage to the glass. Sometimes the cracks are only in the gel. The only way to know for sure is to grind down to the glass.
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You will need to grind any cracks, white areas, and possibly air voids. When you are done, you should have a generous bevel, the glass should be solid with no white areas or flaking, and no sharp edges. Here is a picture of just the gel ground off to show damage.

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This is after grinding the damage out. Those small holes and areas that are showing foam will be filled with resin putty to give the glass a surface to stick to. If you have large holes, you will need to attach a solid backing surface to the inside. Notice that I didn't grind the white around the one small hole. That was a rub rail screw, and isn't actually damage. The layers have seperated a bit, but this will happen wherever a screw is in the glass. Usually, boats will have a line cut through the gel above the screw line to keep cracks from spreading above the rub rail, but not this one. Cracks are also common around any screwed on hardware. This could be prevented by counter sinking the screw hole, but manufacturers don't take the extra time to do it.

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Finish by hand sanding with some 80 grit to smooth out any sharp edges. Fiberglass absolutely HATES sharp corners, you need to sand any corners to be as generously rounded as possible. There is a way to try to work with sharp corners you may miss, or aren't practical to eliminate, which will be covered later.

Air voids might not be practical to completely grind out. These happen because the fiberglass strands want to lay flat, and when pressed into corners such as a chine, it will spring back to flat. In theory, these air voids could extend the entire length of the point, so I wouldn't recommend chasing them. Just grind enough to fix the damage to the fiberglass and pack the air void with some thickened resin to provide a surface for your repair.
 

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MikeSchinlaub

Petty Officer 1st Class
Joined
Jan 14, 2025
Messages
236
5. Prep
Masking. You need to clean the area with acetone, mask it, and get your materials ready. Mask the area, taping just outside of the ground area. Also lay down masking paper or plastic on the floor and anything under where you will be working.

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Glass. Get your glass ready. Tearing the csm is better than cutting. The frayed edges lay out smoother, and will distribute load better than a cut edge. It isn't always practical to tear because it's hard to get small pieces. If you need to cut, alternate the cut edges so you don't stack them. An exception would be when the area ends in a straight edge anyway, like the cap edge under the rub rail. Ideally you want to start with one piece the full size of the ground area, then use progressively smaller pieces until you have the area built up to roughly the original shape, and just barely thicker. Practically though, you might need to start with a few smaller pieces to fill a particularly low spot, or fill in low spots as you go. So just have several pieces ready, and tear to fit as needed. If you are using roving or byply, it's best to cut a single large piece a bit smaller than the total repair area. You want it to fit inside the area of csm by an inch or two. If you are doing something like a transom or stringers, dry fit everything first. Roving will go into or around corners better than csm or byply, but will need relief cuts in corners where more than two surfaces come together.

Resin. Pour less resin than you think you need into a cup. You can always mix more if needed, but any left over is wasted. If you're quick, you can refill the same cup as you go. If the resin in the cup starts to gel, use a new cup. Make sure you can quickly and easily get more as needed. I would suggest keeping no larger than a gallon container near by for refills. Anything larger will be too awkward and you might spill it.

Hardener. We use the squeeze bottles with a measuring cup on top. You could also pour into a normal measuring cup, but it will need to have small increments. The squeeze bottles are measured in CC's (Cubic Centimeters), and I typically only use 5 cc's for anywhere from a third to a full quart cup of resin. It's very forgiving of the ratio, but you do want something to measure accurately. Whatever your method, only measure from a smaller container to prevent glugging and splashing.

Resin Putty. This is situational. Unless you need to fill in air voids or small holes, you can skip this. If you do need it, I would suggest mixing slightly more than you think you need. Any putty that you don't add hardener too will stay good for a while, but if you have to stop to make more putty, it might set up. If you just need to add hardener to a bit more you should be fine to continue. It will generate heat as it starts setting up, which will set up your glass quickly.

Tools. Stir Sticks, gloves, cups, brush, and roller. Keep your roller in a cup with enough acetone to cover the roller end, shake it off before rolling the glass. If you need to use putty, a bondo spreader works great. The plastic ones can easily be cut down for smaller areas. Keep all tools and materials no more than a few steps from the work area.
View attachment 405709

6. Applying Fiberglass

Now that the area is masked and you have all of your materials ready, it's time to start the repair. Once you add hardener to your first batch of resin, you're committed until the job is done. So double check everything, and be sure you have nothing else going on that could interrupt you.

If Using resin putty, you can mix however much you need on a piece of cardboard. When you add hardener, it will change to a more brownish color when mixed well.

Spread the putty to fill in any holes and cover any foam. Since I was using it anyway, I wetted out the whole area with putty. This will fill in pin holes, smooth out any missed edges, and can help adhesion, but isn't necessary. For large areas, it's actually a bad idea. The putty could set up before you get to it, and you will be forced to stop.

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Add hardener to your resin, following the recommended measurements on the containers as close as you can, and mix thoroughly.

Use your brush to wet out the glass with resin. If you're doing smaller areas, you want to wet it until there are no dry areas, but not saturated to the point it is dripping off of the glass. For larger pieces, only barely wet the glass enough for it to stick to the surface. If you wet it too much, it will stretch as soon as you pick it up, and can fall off of areas like the bottom of the hull. Once stuck, you can finish wetting it. The first picture is about how I would wet it for larger pieces, or upside down areas. The second picture is how I wet for most repairs.
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Lay your wet glass over the ground area until you have at least two layers over the whole area.

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You will need to roll out air as you go. You'll need at least two layers to effectively roll the air out, and I would recommend no more than five layers. Air will look like small white spots, and when rolled out the glass should have a solid transparent brown color. You only need light pressure. If you press too hard, you can push the glass out of place or press the resin out. If that happens, just lightly push the material back into place with the roller. Any fillers or imperfections in the starting surface could look white, and make you think there is air when there isn't. Just do the best you can.

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Once you're satisfied with the build up, and have all of the air rolled out, it's time for clean up.

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Use the roller to push excess resin out of the brush, clean both out with acetone, and store in a gallon can with enough acetone to cover the brush bristles. Clean up any resin mess with acetone.

If you need to use roving, such as for a transom, you need at least two layers of CSM under it, and cut the roving a bit smaller than the total area. It's best to use a single large piece of roving. It will stretch easier than the csm when wet, so be careful how much you wet it out.

If you are using byply, wet out the csm side first, lay it into place csm side down, then finish wetting the woven side. Byply takes a bit of time to soak up the resin, so give it a bit before you add more.

7 Finished

Now that The glass is rolled out and your tools are cleaned up, the only thing left to do is wait for the glass to cure. Once the glass is cured, it's time for body work, which won't be covered here.
 

MikeSchinlaub

Petty Officer 1st Class
Joined
Jan 14, 2025
Messages
236
8 Potential Problems

Finding More Cracks.
( Last picture doesn't seem to be uploading properly, even after I reduced the quality. )

This happened to me as I was cleaning it off to get it ready to spray. As soon as I wet the area with some wax remover, some more cracks appeared above what I had already fixed. It sucks, but it happens sometimes. The only thing to do is grind and glass again. So I did that, and in trying to speed things up so I could still spray it tonight (day 2 of this spot) I caused this next problem.

Curing With Heat.
Heat can be both good and bad. It could help things cure faster, which itself could be good or bad, but it can also cause glass to lift. Heat lamps work well, but I would suggest avoiding using a heat gun. I think it's too much too fast, and the added airflow will make the surface dry a bit too quickly. It could be a bit of user error too, but I don't really have good luck with it. Too much heat will also cause the glass to lift up, and by that point it's usually too set up to roll back down. The last heat issue I can think of, the one I had, if that the surface will cure before the deeper layers. This by itself isn't really a problem, but it can make you think it's ready to sand before it is. I got in a hurry and started sanding too soon, and I had to reglass it. What I should have done was heat it with the lamp for a bit, then let it cool completely.

Glass Lifting Away. It might be enough to just add more resin to weigh the glass down. If it refuses to stay down, you will need to pull off the problem area, pull the glass apart into small shreds, and lay it back in place. It will be a bit of a mess with wet glass, but it works. You can try to avoid this by pulling the glass apart before you lay it down, or try to loosen it up by twisting and rubbing it between your hands. You'll feel the difference between a solid piece and one you've put some mechanical wear on. This problem could also be caused by strands of glass being folded. The solution is the same.

Confined Spaces. There have been a few times when I had to glass in a confined space, and the glass never properly set up. My best guess is that the chemicals couldn't evaporate properly due to lack of air flow. If you are going to be working in a confined space like this, get a box fan blowing over it and leave it until the glass is fully cured, probably overnight.

Water. Water will ruin your job. I can't say what happens chemically, but it will cause the resin to not set up. Be absolutely sure the area is dry and doesn't have water leaking into it. If water is pushing through penetrations in the glass, you can pack some Duraglas or Bondo into the area to plug it. You'll need to wait for the filler to set up, then scuff and smooth it with 36 grit. It's fine to glass over because you're not building thickness with it, so it's not taking away from the strength. If any of your glass gets wet before you resin it, do not use it. I've never tried to use it after it dries, so I can't say if it would be a good idea.

Hard resin on glass. Keep any glass you aren't using away from the work area. If you drip resin on it, those drips will harden and you will have to tear out the affected spots and throw them away.

Debris. If any solid debris gets into your glass, you will have to remove it. You might not notice it until you try to roll air out. You'll have to pull the glass off until you can get the debris out. This also applies to any hard spots of resin you might miss as described above.

Time. Large areas run the risk of your resin setting up in the middle of the job. Usually you can just work from one side to the other and be fine. This is a bigger problem if you're using roving or byply, since you need to use them as one large piece over the entire repair. This really only applies to large inside repairs, transoms, stringers, and floors. Since these are more specific repairs, I won't cover them here. Just keep in mind that time is not your friend with this work.
Ambient Temperature. The temperature of the work space can dramatically affect the cure speed of the resin or gel. Combined with how much hardener you use, it can be the difference between setting up in an hour or a few minutes. If it's too cold, it might not set up at all. The best way to gauge it is by how you feel in just a T shirt. Hot = less time , Cool = more time , need a coat = too cold.
 

MikeSchinlaub

Petty Officer 1st Class
Joined
Jan 14, 2025
Messages
236
Ok, all done. Sorry this is so long, but I tried to write it so someone with zero experience could have a good chance. I think I broke the picture uploads though. Cutting and pasting from the one long post, they showed at first but turned into that link text when posted.
 
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